A tall, narrow etching packed with women. Alexandrov stacks the figures up the sheet, some seated, some leaning, a few just faces among the tangle, all drawn in nervous black line with no colour. The crowding is the point: bodies overlap and share edges so it reads as one dense field rather than separate studies. From 2020, an upright format about 15 by 35 centimetres, numbered and signed in pencil.