A still life in muted olive, grey and gold, acrylic and collage on paper. Mikora arranges bottles, a stemmed glass, jugs and a low bowl along a table, drawing them with sweeping charcoal strokes that smear and double as if half-erased. Touches of blue and a single warm bottle glow on the right break the earthy tones. The collage ground gives the surface a worn, fresco-like texture. The drawing is gestural and quick, the objects half-formed out of the murk. A long horizontal sheet.