A loose, sketchy still life in acrylic and collage on paper. A bulbous white teapot sits left of centre, surrounded by a scatter of tall stemmed glasses and a couple of dark bottles, all drawn with fast charcoal lines over washes of grey, blue and ochre. Newspaper collage shows through the background, with printed words like "confess" surfacing through the paint. Mikora leaves a lot of the ground bare, so the objects feel half-finished and quick. A long horizontal sheet.